Archive for the ‘Harvest’ Category

Veraison

Monday, August 16th, 2010

by Jeff Miller of Artisan Family of Wines (Seven Artisans, Sly Dog Cellars, Red Côte)

jeff-smIn this cool growing season, we’re finally reaching the stage in the vine’s seasonal development called veraison. The most conspicuous sign of veraison is the change in color of the grapes from green to red (at least for red varieties), a process that takes several weeks. For white varieties, the change in color is less dramatic, going from green to a more golden color. Less conspicuous, but of greater importance, are other changes in the vine that take place at veraison.

At veraison, the vine, in essence, changes gears in several ways. It marks the end of leaf and cane growth, which should have already slowed down considerably earlier. Instead, the vine switches its resources to ripening the fruit. Prior to veraison, the grape development was concentrated on the formation of the seeds. From veraison on, the whole berry is the recipient of the vine’s resources. The process that begins at veraison involves increasing the sugar levels of the fruit, softening of the skin, seed color turning from green to yellow to brown, and other physiological changes.

Veraison’s end marks the time for the main fruit drop of the season. The best crops are those with the most consistency bunch to bunch. The end of veraison, however, leaves the vine with some bunches that have turned color, and some that have not. The ones that have not are laggards, and will unlikely fully ripen along with the rest of the crop. If allowed to stay on the vine, they will eventually turn color and get picked, but will still significantly lag behind the bunches that colored up on time. Left on the vine, these laggards would contribute unpleasant green attributes to the finished wine. So at the end of veraison, it is common to go through the vineyard and drop the bunches that haven’t fully colored up.

Irrigation practices can change after veraison as well. Prior to veraison, it’s important to get the vine to slow down its vegetal growth so that, come veraison, the vine doesn’t continue to direct its energies towards the pushing of ever longer canes with more and more leaves. The main means of doing this is controlled irrigation. By restricting the amount of water that goes to the vine, the vegetal growth slows, eventually stopping (hopefully) at veraison. Once this vegetal growth is under control, it’s less important to restrict the amount of water the vines receive. It’s often said that “stressed” vines produce the best wine. The stress is the result of the water restrictions that lead to the vine switching over from vegetal growth to fruit ripening. Once this water-restricted “stress” achieves its goal, water restriction is less important.

As you are no doubt aware, this year is one of the coolest on record, with the crop lagging several weeks behind normal. That means not only that veraison is occurring several weeks late, but that harvest is likely to be well behind schedule as well. One likely result of this is that the dropping of green fruit will likely be more than normal, in order to reduce the crop load–the vine can more quickly ripen a moderate crop than one that is too heavy. The thinking is not just to make sure the crop ripens, but that it ripens early enough to avoid the possibility of early fall rains that, by allowing the growth of mold, can adversely affect the quality of the fruit.

So, while every year veraison marks an important point in the development of the crop, this year it is being viewed with greater concern than in most years, as we try to balance the concerns of getting the crop ripe in time with the desire to maintain reasonable yields. And so many of the decisions made today can be judged right or wrong only once we know how the rest of the season plays out. As Mark Twain once said, climate is what you expect, and weather is what you get. The weather we end up getting will dictate how good a season we end up having.

Is this going to be the vintage of the century?

Monday, August 9th, 2010

by Jeff Miller of Artisan Family of Wines (Seven Artisans, Sly Dog Cellars, Red Côte)

jeff-smI’m asking this question somewhat facetiously, as every vintage, from the industry’s perspective, seems like it’s the vintage of the century. But this vintage, at the least, is going to be different. As anyone living in California knows, this has been a very cool year both for people and grapes. Only time will tell for sure how the vintage will turn out, and there’s still lots of time for the weather to do a 180 and give us some real heat. But, at least so far, it’s looking like one of the coolest growing seasons ever.

So what does this portend for the quality of harvest? Looking at it from the point of view of the optimist, this could be one of the best vintages ever, particularly in the inland appellations. We know that the grapes are lagging several weeks, indicating that they will ripen under much cooler conditions than normal, if for no reason other than maturity is being pushed into a later, autumnal, season. I’ve written often about the benefits of ripening under moderate weather conditions, and how much of California is too warm to achieve this. This year will probably be the exception, particularly inland. What we’re seeing is a shift of normal weather patterns, where what would be normal for coastal (and cooler) regions is being experienced further inland. If so, this could be an exceptionally good vintage for the Central Valley.

Looking at it from the point of view of the pessimist, the worst case scenario is that the grapes aren’t ripe before the fall rains start. This puts the grape grower in a quandary: does he harvest, even though the grapes aren’t fully mature? Or does he wait, and risk botrytis and other infections that depend on rain? Either option is fraught with potential problems, and neither betokens a stellar harvest. Coastal regions, which in a normal year can still harvest under optimal conditions, are most at risk.

Assuming that the rains don’t come, there’s still an issue whether certain cooler, coastal, regions will be able to fully ripen their grapes. This seems like less of a concern to me than the possibility of rain, but for some coastal areas could be a concern, particularly if the cool weather persists.

Also, on the negative side, is the possibility that the cool weather will suddenly break, and we’ll get some real heat. Grapes, not acclimated to heat, don’t always respond well to a sudden warming. Some vines can shut down under these circumstances, particularly if they don’t get enough water. So dry-farmed vineyards could be particularly at risk. Even when the vine remains in good health, a sudden heat wave after cooler weather can result in shrivel, causing raisiny characteristics in the wines.

One question I have (and I’m not at all sure of the answer) is whether we can expect leaner, more classical, wines this vintage. It seems that this probably wouldn’t be the case in inland areas, where there should still be enough heat to fully ripen the grapes, but would be more likely the case in cooler regions.

One thing we know for sure—this isn’t going to be a normal, relatively stress free, California vintage.

Obscure varieties — Part 2

Friday, July 2nd, 2010

by Jeff Miller of Artisan Family of Wines (Seven Artisans, Sly Dog Cellars, Red Côte Rosé)

jeff-smHeimoff further opines that the impetus behind vintners pursuing the obscure varieties is to carve out a marketing niche for themselves, something that’s impossible in the common varieties such as Cabernet Sauvignon.  I think there’s some truth to this, although I’ll wait and see whether our Montepulciano is successful in this regard.  I’m not so sure that you aren’t better off, financially, producing the zillionth Cabernet Sauvignon out there, because, at the least, you know there are people who will buy Cabernet Sauvignon.  Are there people who will buy Montepulciano?  I’m sure hoping there are.

But when you come out with a wine, you can’t just be thinking about the ultimate consumer.  In getting your product to the consumer, you need to first of all get a distributor to buy into your vision for Montepulciano, and then a retailer who has to buy in as well.  If you can get that far, you get to the shelf, but you still haven’t made a sale.  Hopefully, the local wine store salespeople or restaurant sommelier will hand sell the wine, since I doubt there will be very many people wandering into a store asking for a good Montepulciano.  Assuming you can get to the market, Heimoff is right, however, that you’re not going to be going head to head with a crowd of other Montepulcianos.  Only time will tell how the marketing side works itself out.

But I think the greater motivation for vintners isn’t the marketing angle, but simply the desire to expand the wine world’s horizons.  Producing another Cabernet Sauvignon, no matter how good it is, isn’t really changing things one iota.  I would like to think that when it’s all said and done, I brought something new and different to Winedom.  I can do that with Montepulciano.  I can’t do that with Cab.

I do take exception to Heimoff’s comment that many of these obscure varieties are doomed to fail simply because they aren’t very good.  I think many of the varieties that are obscure are obscure only because they hail from the back roads of the wine world.  Historically, the wine world’s Main Street is located in England, and England has sourced its wines historically from France.  Does that mean that French wines are better than those from Italy, Spain, Portugal, etc.?  I personally don’t believe that for a second.  But it does mean that the French varieties are the familiar, what we expect when we taste a wine.  The obscure varieties aren’t inferior, just different, and don’t come with the comfort of a familiar old shoe the way Cab does.

I also don’t totally agree with the observation that it will take a long time to learn how to grow and vinify these obscure varieties here.  While some  varieties are pretty finicky (e.g., Pinot Noir) and take lots of learning, many other varieties don’t take a lot of getting used to.  Obviously, every vintage you can learn something new, or try something different.  But that doesn’t’ mean that many years of trial and error are necessary for every variety.  Montepulciano, for one, hasn’t presented any overwhelming difficulties even though I’ve been playing around with it for only a few years.

I think in the end, many of these obscure varieties will succeed. After all, the varieties that we think of as common were all obscure at one time.  I think I it will take some time, though, more because of the consumer resistance than because of the inherent problems in making top-flight wines from these varietals.

Obscure varieties

Monday, June 28th, 2010

by Jeff Miller of Artisan Family of Wines (Seven Artisans, Sly Dog Cellars, Red Côte Rosé)

jeff-smA recent post by Steve Heimoff caught my attention, “’Obscure’ varieties a hard sell”, which can be found at http://www.steveheimoff.com/index.php/2010/06/24/obscure-varieties-a-hard-sell/

Heimoff has some interesting things to say about obscure varietals (i.e., varietals that have a tiny place in the market place and that many have never heard of).  Since I’ve always had a fascination for obscure varieties, I’m going to agree with some of what Heimoff has to say, and disagree, profoundly, with some of the rest.

First, let me say I got interested in some of the obscure varieties by a problem of the inland California vineyard, excessive heat.  The main grape varieties on the market (e.g., Cabernet Sauvignon, Chardonnay) come from France and thrive in the climates of Bordeaux and Burgundy.  But compared with the California inland valley, those are relatively cool growing areas.  In France, those grapes may ripen under optimal conditions, but here they all too often ripen earlier in the growing season, when heat is at its hottest.  Some varieties seem to tolerate the heat just fine (I’m thinking of Petite Sirah), but others don’t do as well (I’m thinking of Cabernet Sauvignon).

Ripening under intense heat opens you up to a variety of problems.  Sugar levels can spike, requiring either that you add a bunch of water at the winery or else live with high alcohol levels in the finished wine.  Acidity often drops, requiring a hefty acid addition at the crush pad, or else living with low acid, flabby, wines.

Sugar and acid levels at least have the redeeming grace that there are corrective actions you can take.  But shrivel and raisining produce flavors in the wine that you pretty much have to live with.  Those flavors progress from plum, through prune, to raisin.  While some people like those flavors, and therefore seek out those wines, I would prefer to avoid at least prune and raisin, even if some plum is okay.

So this is where some of the obscure varieties come in, at least for me.  Many of these varieties originate in Southern Europe (e.g., Italy, Spain, Portugal), under climactic conditions more similar to what we experience in the inland valleys.  I’ve played around with a number of these grapes with, I would have to say, limited albeit important success.  My two stars are Montepulciano and, to a somewhat lesser degree, Aglianico.  Montepulciano is a real late ripener, which we pick usually in late October or even early November.  It retains high acidity while achieving moderate sugar levels.  It emphasizes the brighter part of the fruit spectrum, unlike other varieties that, ripening under greater heat, emphasize the darker part of the spectrum.  I hope my first Montepulciano bottling will hit the market within a year.

To be continued on Friday.

Minimal Pruning — Part 2

Friday, April 23rd, 2010

by Jeff Miller of Artisan Family of Wines (Seven Artisans, Sly Dog Cellars, Red Côte Rosé)

jeff-smLast post, I got to the point of minimally pruning my vines. What effect did they have on the grapes? To cut to the chase, minimal pruning had a major impact on the vines. No more bull canes, and lots more fruit to balance out the vines. I would like to say it was a total success, but there was still more vigor than I would have liked. Shortly after veraison, the canopy was still too full, and I did have to go through the vineyard with the hedger to open things up to get more sunlight onto the fruit. Even so, it was a considerable improvement over the prior year’s cane pruning.

Come harvest time, the results were particularly noticeable. In prior years, the wine was always light and thin. That year, for the first time, it was dark, the way Cabernet Sauvignon should be.

My experience at home left me wondering whether minimal pruning would be a good idea in our commercial vineyards, where vigor is also a problem, albeit not nearly as much of a problem as at my home vineyard. So last year I tried minimally pruning two rows of Merlot to see how they’d do. Again, the results were good. The fruit quality seemed to be every bit as good as the spur pruned vines, and the yield much higher. As was the case at home, the minimal pruning wasn’t enough to avoid the need to hedge the vines, but they were definitely more balanced than the spur pruned vines. The spur pruned vines had a lot of shatter (failure of the grapes to set), which resulted in low yields of about 2.5 tons/acre. The minimally pruned vines had enough buds that the shatter wasn’t a problem, and they yielded over 7 tons/acre.

In fact, in a minimally pruned system, you’re relying on the vine to regulate itself. It has enough buds to grow a huge crop, but the vine establishes the amount of fruit that seems to be suited to the vine’s capacity.

At any rate, this year we’re using minimal pruning for all our Merlot. I’m feeling pretty comfortable that things will work out fine.

I can’t know for sure whether in the long run the minimally pruned vines will produce better fruit than the spur pruned vines, at least in my location, but all the indications are that they will. When I look at a vine, what I want to see is grape clusters that aren’t directly exposed to the sunlight, nor completely shaded. Rather, they should be receiving filtered light through the canopy. The minimally pruned vines come much closer to that ideal than do the spur pruned vines.

One aspect of minimal pruning makes it more amenable to machine than hand harvesting. The clusters tend to be much smaller than in a normally pruned vine. In a spur or cane pruned vine, the plant has only so many buds and therefore a limited number of clusters. So it makes those clusters bigger to compensate for their fewer numbers. The minimally pruned vine, with more clusters, doesn’t need to make them as big. Obviously, at harvest, a worker who is cutting off a cluster wants to get as much weight as possible with each cut. Minimally pruned vines, having smaller clusters, take longer to harvest. But a machine doesn’t care about the cluster size, since it shakes the fruit off. So it is a system that lends itself to mechanical harvesting.

Minimal pruning has some other advantages as well. As I’ve already noted, it’s much quicker (and cheaper) than is normal pruning. Since the canopy is naturally more open, leaf pulling was unnecessary, saving a lot in labor cost. The fact the vine had more buds to absorb its vigor also meant that there were very few laterals, a shoot that comes off an existing shoot. Since laterals produce fruit that is a few weeks behind the other fruit in maturity, they are to be avoided, and should be removed (more hand work, and therefore more money).

I think minimal pruning is best suited to a situation of high vigor, as I’ve described. I question whether it would work well in a lower vigor vineyard, where it could easily lead to overcropping. But there are many vineyards in California where vigor is the problem, and for them I think minimal pruning could be the best solution.